Book: Boris Pasternak and the Tradition of German Romanticism. Munich: Verlag Otto Sagner [Slavistische Beitraege, Vol. 344], 1997.

Co-Authored Textbook: Richard Robin, Karen Evans-Romaine, Galina Shatalina, Golosa. A Basic Course in Russian. Fourth Edition, Books One and Two, textbook and workbook. Fifth edition in progress.

Co-Edited Encyclopedia: Tatiana Smorodinskaya, Karen Evans-Romaine, and Helena Goscilo, ed. Encyclopedia of Contemporary Russian Culture. London/New York: Routledge, 2007.

Articles:

“Nachalo veka, nachalo muzyki: Ob istochnikakh esse M. Tsvetaevoj ‘Mat’ i muzyka’” (“Beginning of the Century, Beginning of Music: On Sources to Marina Tsvetaeva’s Essay ‘Mother and Music’”). Natales grate numeras? Sbornik k 60-letiju G.A. Levintona (Festschrift in Honor of Georgij A. Levinton), ed. A. L. Ospovat (St. Petersburg: European University, 2008), 584-598; “Ob odnom romanticheskom podtekste romana Doktor Zhivago” (“On One Romantic Subtext in Pasternak’s Doctor Zhivago”). I vremja i mesto. Istoriko-filologicheskij sbornik k shestidesjatiletiju Aleksandra L’vovicha Ospovata (Both Time and Place: Festschrift in Honor of Alexander L. Ospovat), ed. Roman Leibov and Andrei Nemzer (Moscow: Novoe izdatel’stvo, 2008) 568-575; “Music and Intertext in Pasternak’s ‘Waltzes’”, in Eternity’s Hostage. Selected Papers from the Stanford International Conference on Boris Pasternak. May, 2004. In Honor of Evgeny Pasternak and Elena Pasternak, ed. Lazar Fleishman. Part I (Stanford [Stanford Slavic Studies, 31:1], 2006), 303-321; “The Children’s Poetry of Pasternak: Pasternakian Poetics in Miniature,” Slavic and East European Journal 49:2 (Summer 2005), 266-81; “Boris Pasternak,” in Dictionary of Literary Biography, Vol. 302: Russian Prose Writers After World War II, ed. Christine Rydel (Detroit: Gale, 2004), 202-229; “Apollon Nikolaevich Maikov” and “Iakov Petrovich Polonsky,” in Dictionary of Literary Biography, Vol. 277: Russian Literature in the Age of Realism, ed. Alyssa Dinega Gillespie (Detroit: Gale, 2003), 215-223, 322-330; “Pasternak and Tchaikovsky: Musical Echoes in Pasternak’s Blind Beauty,” in Literature and Musical Adaptation, ed. Michael J. Meyer (Amsterdam/New York: Rodopi [Perspectives on Modern Literature, 26], 2002), 105-136; “On Grigorij Petnikov’s Subtextual Poetics: Novalis and the Russian Tradition,” Slavic and East European Arts 10: 1-2 (Winter 2002), 131-151; “Pasternak and the Russian Reception of Heine,” in Cold Fusion: Aspects of the German Cultural Presence in Russia, ed. Gennady Barabtarlo (New York/Oxford: Berghahn Books, 2000), 252-276; “Zametki o romanticheskix istochnikax stixotvorenija Pasternaka ‘Zerkalo’” (“Notes on the Romantic Sources of Pasternak’s Poem ‘Mirror’”), Tynjanovskij sbornik. Vypusk 10. Shestye-sed’mye-vos’mye Tynjanovskie chtenija (Tynjanov Collection, Vol. 10: Sixth, Seventh, and Eighth Tynjanov Readings.Moscow, 1998), 231-240; “Stixotvorenie Pasternaka ‘Venecija’ i tradicii nemeckogo romantizma” (“Pasternak’s Poem ‘Venice’ and the Traditions of German Romanticism”), in Literaturnyj tekst: problemy i metody issledovanija (The Literary Text: Problems and Research Methods). Vol. III (Tver’ State University, 1997), 105-113; “Zametki o biologicheskom i avtobiograficheskom u Pasternaka” (“Notes on the Biological and Autobiographical in Pasternak”), Sed’mye Tynjanovskie chtenija. Materialy dlja obsuzhdenija (Seventh Tynjanov Readings: Materials for Discussion), Vol. 9 (Riga/Moscow, 1995/1996), 151-160.